Swinging with Mac

No matter how old I get, it’s always fun to play on the swings.

Here I am with MacLaren on a gorgeous spring day in April 2012 in Iowa City.

Afterward, I’ll ask him his opinion on Greek funerary inscriptions. Then I’ll remember he’s only a child with no professional training, thank him for his precious, yet untrained opinion, kiss him on the forehead, tell him I love him, give him a big hug, and then begin a more academically credible process. I’ll start by aggregating existing research into a literary history, and then do some research of my own, then test it in segments on the blogs and message boards, attend some lectures, write a draft of a research paper, present it at ASOR or SBL, get feedback (some positive, some negative) from credible, professionally trained colleagues, re-write the paper, then submit it to a refereed journal, receive back the peer-reviews, further edit the paper incorporating the suggestions from my blind reviewers, re-submit my paper to the journal, celebrate its acceptance, but then prepare rebuttals for the inevitable scholarly critiques and responses that will follow, write another paper supplementing the published article following the same process above, incorporate the now multiple articles and additional research into chapters of a monograph, secure an interested academic publisher, send of drafts to reviewers, receive back the reviews and further edit the volume, then send the completed volume to the contracted publisher for publication. Then, I’ll inquire about a book review session at SBL, ASOR, or some other professional academy annual meeting, making sure to invite both those who agree and disagree with my theory, and then listen to critiques and reviews of my volume. I shall then wait several years to ascertain whether or not my volume proves to have legs and longevity, whether newer research makes my contribution comparatively obsolete, or whether my published conclusions need further reconsideration.

Then again, as the above process is quite difficult, and time consuming, and not all that profitable in the short term, and it likewise provides me no first century apologetic evidence for my modern beliefs, perhaps instead I’ll reconsider and simply accept the judgment of my child regarding the Greek funerary inscriptions.

chris brady’s call for scholars working in publishing and emerging technology

Digital Publishing

Targuman Dean Chris Brady is asking for names. Specifically, he’d like names of scholars and bloggers who are:

  1. working in publishing or libraries.
  2. savvy to other areas of emerging technology as related to biblical studies.

He’d also like to know:

  1. What areas of technology do you feel are or will impact our field(s)?
  2. Who in biblical studies is currently and actively engaging in such areas?

If you are one of these folks, please let Dr. Brady know here.

call for papers for the ‘blogging and online publication’ section at the 2011 sbl annual meeting is now open

Biblioblogger logoThe call for papers for the ‘Blogging and Online Publication’ section at the 2011 SBL Annual Meeting in San Francisco, CA is now available. The meeting will be held November 19-22, 2011.

SBL members wishing to present papers should submit proposals on the SBL website here by March 1, 2011.

The SBL Blogger and Online Publication section invites proposals for papers for its 2011 annual meeting session. The open session calls for papers focusing on any area of blogging and online publication in relation to biblical studies, theology, and archaeology of the Levant. Special consideration will be given to those papers addressing:

  • the politics and etiquette of blogging professionals
  • issues dealing with anonymity, identity, and authorship
  • the utilization of blogs by professionals for creating, responding to, and redacting content for publication elsewhere
  • podcasting and video blogging
  • issues examining solo blogging vs. community blogging

For more information, or if you have any questions, please contact:

Dr. Robert R. Cargill
Center for Digital Humanities
UCLA
1020 Public Affairs Building
Los Angeles, CA, 90095-1499

or email cargill@humnet.ucla.edu.

On Using Digital Course Material to Publish Textbooks

Chronicle of Higher EducationThere’s an article in the October 8, 2010 issue of the Chronicle of Higher Ed by Jeffrey R. Young entitled, “As Textbooks Go Digital, Will Professors Build Their Own Books?,” that discusses using digital courses to build textbooks.

Young states:

McGraw-Hill Higher Education plans to announce its revamped custom-publishing system, called Create, with an emphasis on electronic versions of mix-and-match books. Macmillan Publishers this year announced a similar custom-textbook platform, called DynamicBooks. And upstart Flat World Knowledge touts the customization features of its textbooks, which it gives away online, charging only for printed copies and study guides. Other publishers have long offered custom-textbook services in print as well, though they have always represented just a sliver of sales.

It is only a matter of time before someone develops a system that takes course content rich with media that many instructors have developed via PowerPoint, Google Earth, videos, sounds, and turns it into a book. The problem is, of course, that in doing so, we are actually going backward with regard to technological development. It’s the equivalent of the instructor who asks a tech in the media lab to make a 35-mm slide from a digital image, or a vinyl record from a CD. Publishing digital content in a printed, “analog” book is backward. The only problem is that many tenure-granting universities still only acknowledge print-published volumes as “legitimate,” and thumb their noses at “digital” or “online” publications.

I discussed the problem in my book:

Thus, a problem of scribal technology persists. While technology for gathering and processing information has advanced almost exponentially, the accepted means of communicating this new information is stuck in a scribal format that is literally thousands of years old: the written word. Scholars have yet to adopt alternative means by which to receive and redistribute information developed and communicated in three-dimensional format. Far too many scholars are insisting that technologically minded scholars communicate digital information by analog means. Digital journals and online publications are a step in the right direction, but even these new digital publications are made to look like the traditional written pages of journals in many instances, rather than harness and utilize the interactive connectivity and visual capabilities available on the Internet.

While the three-dimensional modeling of archaeological reconstructions is an improvement upon its hand-drawn predecessor, the full power of three-dimensional modeling cannot be realized because three-dimensional models are rendered into static illustrations of what was an otherwise dynamic environment. While three-dimensional modeling is a vast improvement over two-dimensional representations, the lack of a means by which to fully experience the three-dimensional model leaves the interactive power of the three-dimensional model untapped. In order to fully harness the power of the three-dimensional model, a virtual reality environment must be adopted. Only when an effective means of communicating three-dimensional data is accepted by the academy will the potential of this new technology be fully realized.

Cargill, Robert, Qumran through (Real) Time, (Gorgias, 2009), 69-70

This research also realizes the overt incompatibility of publishing a book involving digital reconstructions in three-dimensional space in the traditional paper and ink format. It is, of course, highly ironic that this three-dimensional research is looked down upon by many, who prefer the time-honored, traditional medium of the printed book, which cannot fully convey the technological approach described within its pages. It is as incomplete as literally trying to describe a picture with a thousand words! Thus, the present research calls on scholars, publishers, dissertation committees, and departments of archaeology, architecture, and other related programs to make themselves more accommodating to newer digital forms of publication. As the word processor has replaced the typewriter, so too will digital and three-dimensional formats soon replace analog and two-dimensional formats for publishing archaeological materials. These new digital formats should not be seen as “alternative” or lesser means of publication, but as “progressive” media that are on the cutting edge of modern archaeological research.

Cargill, Robert, Qumran through (Real) Time, (Gorgias, 2009), 217-18.

(Yes, I recognize the irony of complaining about having to publish digital media in a print-published volume from the pages of a print-published volume. ;-)

The reason faculty still publish their classroom content as print-published books (and the reason publishers still offer published books) is because the money and academic prestige still lies in the print-published textbook, not in digital, online course.

Until a solution is discovered that makes money for “publishing” the digital material online, and offers the same tenure-improving prospects of a textbook, printed books will be favored in university settings. Until then, instructors will continue to take rich instructional and research media and print it on paper for placement on bookshelves.

Print on demand is a step in the right direction, but it will only be when university administrators, deans, and department chairs (that is, tenure-granting authorities) accept digital research as equally prestigious as the traditional print-published volume, and when nominal profit is available to the instructor providing the content that we will truly see an explosion in digital course materials available online. Until then, enjoy publishing your work with that prestigious publisher charging $150 per volume for your work, that only those who visit libraries will read.

dr. ed wright responds to my peer-review article on bible and interpretation: a word on professional conduct in the academy

Dr. Ed Wright, Professor of Judaic Studies at the University of Arizona and President of the W. F. Albright Institute of Archaeological Research in Jerusalem has responded to my article entitled, “How and Why Academic Peer-Review is About to Change,” on the Bible and Interpretation website. Dr. Wright’s article is entitled, “The Case for the Peer-Review Process: A Rejoinder to ‘How and Why Academic Peer-Review is About to Change’.”

Dr. Wright is a friend and colleague, and I respect his opinion and the solid points he makes in his response. I’d also like to point out that this is how scholarly debate is supposed to take place. When a scholar produces research or a publication for consumption by the academy and/or the public, the scholar should expect and even invite professional criticism. It is the only way to expose holes in a theory or an academic argument, and this process makes the theory stronger. By pointing out problems with a theory, members of the academy contribute to a global discussion and together collaborate to find an interpretation or theory that best explains all of the data. Political candidates do the same thing during debates: they stand up and critique their opponent’s points of view, and, if done properly and professionally, they shake hands when it’s over and go have a beer together. That’s how it works.

Scholars should never personally smear or attempt to harm the professional development of anyone with whom they disagree. Rather, scholars (and students, and the public at large for that matter) should always argue each case on the merits of the argument. This is precisely what Dr. Wright has done here, and it is precisely what Dr. Jodi Magness and I did last year in the pages of NEA and the SBL session that reviewed my book. We stood up, exchanged points of view, pointed out flaws in each other’s theories, and then walked to the next session, where we advocated side-by-side on the same side of a different issue. Scholars should never respond to a professional, public critique of their work with personal attacks. Rather, scholars should respond on the merits of the argument in public (including peer-review journals, blogs, professional conferences, etc.), let others contribute responses, or not respond. Attacking someone personally will only bring much-deserved shame upon the attacking scholar.

This is how it’s supposed to work. Scholars should make their arguments in their own name and stand behind their claims. They should submit to the peer-review process to be critiqued by an assembly of their peers. This ensures the quality of the academic work and improves the collaborative understanding of a particular subject. Rather than attacking a scholar personally with an anonymous campaign of letters designed to impugn the credibility of a scholar who may hold a differing point of view, scholars should offer alternatives and allow the public (i.e., the academy if a scholarly issue, or the greater public if a popular issue) to determine which arguments seem best.

This is what Dr. Wright and Dr. Magness have done. It is what Larry Schiffman and John Collins and Eibert Tigchelaar and David Stacey and the late Hanan Eshel and Eric Cline and Yuval Peleg and many others have done. We all disagree with each other on any number of topics. And we may very well agree on any number of other issues as well. The point is that we humbly submit our contributions to the academy and the greater public for consideration, we make our critiques professionally, and we stand behind and are accountable for the manner in which we conduct ourselves. The academy has, with very few exceptions, always set the example for professional conduct in the exchange of ideas. The academy is the model to which the public and politicians ought to look as the ultimate example of civil disagreement. And this is what Dr. Wright and so many others have done. I hope to follow their example and always offer commentary and scholarly opinions in a professional, transparent (and occasionally humorous) manner.

Thanx again to Dr. Wright for responding. I’m sure the topic will come up when I see him at the ASOR annual meeting this year in Atlanta, hopefully over a beer (that he buys ;-)

bc

attention bloggers and coders: introducing google’s pubsubhubbub

PubSubHubbub

PubSubHubbub: A simple, open, web-hook-based pubsub protocol & open source reference implementation.

google is introducing pubsubhubbub.

it’s an open protocol for training atom and rss feeds into realtime streams. or, in nontech terms, it’s a subscription model that allows two completely different websites to communicate in realtime through a hub. in even simpler terms, it’s a cross-platform subscription service. for example, if you blog on wordpress, you can publish your content to your wordpress blog and to subscribers on other systems instantly, in realtime.

stanford to accept digital dissertations

The Seal of Stanford Universitythis is great news for scholars – both graduate students and professors.

stanford university has decided to accept digital dissertations. that’s right, you heard me correctly:

Put away your checkbook. Don’t bother buying reams of acid-free paper. Just hit the “submit” button to digitally upload dissertations under a new program that begins in November.

i was a year (and 312 miles) too soon. i would have loved to have a policy like that in place last september.

in my ucla doctoral dissertation (now available as a book), i provided a new methodology for testing digital reconstructions of archaeological remains in virtual reality. in writing my digital humanities dissertation, i lamented the fact that original research involving three dimensional reconstructions that are able to show complex architectural development over time is not suited for a two-dimensional printed page. while i can describe the methodology involved, the actual model i describe requires an actual three dimensional space to in order to be visualized, and a fourth dimension of time is required to see the diachronic development of the site.

but the resistance to ‘digital’ forms of published dissertations lies not in the technology, but in the traditional skepticism of the academy of anything other than a typewriter typed dissertation on acid-free paper. i said as much in the conclusion of my book:

This research also realizes the overt incompatibility of publishing a book involving digital reconstructions in three-dimensional space in the traditional paper and ink format. It is, of course, highly ironic that this three-dimensional research is looked down upon by many, who prefer the time-honored, traditional medium of the printed book, which cannot fully convey the technological approach described within its pages. It is as incomplete as literally trying to describe a picture with a thousand words! Thus, the present research calls on scholars, publishers, dissertation committees, and departments of archaeology, architecture, and other related programs to make themselves more accommodating to newer digital forms of publication. As the word processor has replaced the typewriter, so too will digital and three-dimensional formats soon replace analog and two-dimensional formats for publishing archaeological materials. These new digital formats should not be seen as “alternative” or lesser means of publication, but as “progressive” media that are on the cutting edge of modern archaeological research. (Cargill, Qumran through (Real) Time, p. 217-18)

apparently, stanford is listening:

Speaking at the Oct. 22 Faculty Senate meeting, University Librarian Michael Keller said the digital world offers a “much greater palette of expression” to graduate students, because they will be able to include more graphics, color and character sets in their dissertations than in paper copies.

not only can doctoral students print their research with greater ease and at a lesser expense, but other scholars will have greater and cheaper (read: free!) access to the new dissertations:

“We were clearly in favor of a less expensive alternative to ProQuest and one that has far greater intellectual reach through some agreement with Google or some other Internet carrier,” Roberts wrote in an email message.

in addition to cutting down on paper costs, helping the environment, ridding the tedious process of printing out multiple copies of a 300-page document, and not having to pay pro-quest to re-digitize a paper dissertation that was originally written in digital format on a computer, digital dissertations will allow for the publication of more innovative technological research in the sciences and digital humanities. this process preserves the rigorous process of ensuring credible research approved by a disertations committee, but eliminates the hassles of printing, which are now nearly obsolete since most of us read others’ dissertations online anyway.

i applaud the move and encourage ucla to adopt a similar policy.

harvard and the digital humanities

jon stokes has a good article on harvard’s decision to use digital publisher scribd to sell a limited number of its books. is this a growing trend for universities in the collapsing economy? give it a read.

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