Iowa State University Lecture: A Virtual Reconstruction of Qumran and the Dead Sea Scrolls

Dr. Robert Cargill looks at a copy of the Great Isaiah Scroll in the Shrine of the Book, Israel Museum, Jerusalem.

Iowa State University has posted online the audio of my Oct 23, 2014 lecture at ISU entitled, “A Virtual Reconstruction of Qumran and the Dead Sea Scrolls: Recent Advances and the Future of the Field“, along with the video of my PowerPoint. The video capture of the digital model toward the end is sketchy, but the audio and PPT slides and audio came out OK.

If you want to hear/watch the lecture, simply click the above link, right-click on the “Download Podcast” icon at the bottom of the list on the right, and save it to your computer. (The file is 111 MB total.) After it downloads, add .mp4 to the end of the file name, and then simply double-click to play or open it in QuickTime.

Many thanks to Dr. Hector Avalos for the invitation to speak. It was a beautiful evening on a beautiful campus in Ames, IA

Summary:

Robert Cargill, an assistant professor of Classics and religious studies at the University of Iowa, will discuss how recent advances in the fields of archaeology and the digital humanities have enabled scholars to create digital reconstructions of archaeological remains at Qumran, the site associated with the discovery of the Dead Sea Scrolls. He uses 3D and virtual reality to introduce the audience to the ancient sites, proposes various reconstructions, and highlights the process for databasing archaeological data. Cargill was the chief architect and designer of the Qumran Visualization Project at UCLA’s Center for Digital Humanities. He has appeared as an expert on the National Geographic special, Writing the Dead Sea Scrolls, and History’s documentary series Bible Secrets Revealed. He is also the author of the recent book, Qumran through (Real) Time: A Virtual Reconstruction of Qumran and the Dead Sea Scrolls.

Co-sponsored by:

• ISU Atheist and Agnostic Society
• ISU Philosophy Club
• Philosophy & Religious Studies
• Committee on Lectures (funded by GSB)

 

Robert Cargill lectures on Tel Azekah, Digital Archaeological Modeling, and the Digital Humanities at Iowa

I recently gave “Studio Talk” about Tel Azekah and Digital Archaeological Modeling entitled “Digi-Tel Azekah: Digitally Modeling Archaeological Remains on the Judean-Philistine Borderline” at the University of Iowa Digital Studio for Public Arts & Humanities (DSPAH). I presented with my Dept. of Religious Studies graduate student, Cale Staley.

If you have ever asked the following questions:

What is Digital Humanities?
What is Digital Humanities at the University of Iowa?
What is Digital Archaeological Modeling?
Why is the Digital Humanities important?
How do the Digital Humanities help my research?
How do the Digital Humanities help my instruction?

and most importantly,
why should I join Iowa’s archaeological dig in Israel next summer?
(besides losing weight, getting fit, getting a great tan, traveling the Holy Land, and earning 6 units doing undergraduate research)…

…then watch this video and all your questions will be answered.

With thanks to Oded Lipschits, Yuval Gadot, and Manfred Oeming for making The Lautenschläger Azekah Expedition possible.

(and of course that’s the picture that YouTube chooses to use as the cover image.)

Instruction, Research, and the Future of Online Educational Technologies – SBL 2010 Paper by Robert Cargill

Instruction, Research, and the Future of Online Educational Technologies
Robert R. Cargill, Ph.D.
UCLA Center for Digital Humanities
Monday, November 22, 2010
Hyatt Regency Hotel, Atlanta, GA
(audio)

I’d like to conclude this session by speaking for a moment about instruction, research, and the future of online educational technologies.

Patricia Cohen's New York times article entitled, "Digital Keys for Unlocking the Humanities’ Riches"

Just this past Tuesday in the NY Times, Patricia Cohen wrote an excellent piece about how instructors like many of us in the Humanities are beginning to embrace online digital technologies, which are now commonly referred to as the “Digital Humanities.” Like many previous new innovations in education, early adoption of the Digital Humanities as a legitimate and perhaps stand-alone field of study has seen a mixed reaction.

There are those like Princeton historian Anthony Grafton, who argue that the Digital Humanities are means to end, and not ends in themselves. However, I’d like to argue that while a definition of “technology” as a set of tools most certainly satisfies that characterization, “Digital Humanities” has quickly become a burgeoning discipline in its own right. That is, while various technologies can be used as tools to improve instruction and research within existing higher education pedagogical approaches, the Digital Humanities as a field of study proposes new pedagogical approaches to education. So while many scholars are asking how technology can assist with their existing courses and approaches to instruction and learning, Digital Humanities scholars ask how these new technologies fundamentally change how one does instruction. It is the difference between laying technology on top of a course, and rethinking a course from the ground up in light of these new technologies.

In addition to instruction, instructors embracing the Digital Humanities are leading the charge to discover new forms of research that were simply not possible prior to the advent of modern technology, crowds, clouds, and social networking. Brett Bobley, director of the National Endowment of the Humanities Office of Digital Humanities stated to the New York Times, “Technology hasn’t just made astronomy, biology and physics more efficient. It has let scientists do research they simply couldn’t do before.”

Qumran through (Real) Time by Dr. Robert R. Cargill (Gorgias Press, 2009)

My research with the digital reconstruction of Qumran developed a new, quantitative approach to dealing with very large quantities of archaeological data that had previously been offered to the public only as in disparate chunks or individual reconstructions pushing particular viewpoints and interpretations. A new approach, specifically, a way by which to model multiple interpretations for multiple archaeological loci at multiple periods in time, each preserving the archaeological remains in a transparent and easy-to-access manner, was only made possible by employing the Digital Humanities, specifically, three–dimensional digital modeling, to capture the archaeological data published in primary and secondary literature in a database, model it, and make it available in real time. Thus, in my research, the Digital Humanities did not replace archaeology; it was a tool, a methodology by which to process and represent the data used within an existing discipline. However, the capacity to do this kind of visualization research, and to use it not only for instructional display, but for research as well, was only made possible by the advent of modern visualization technology. In that regard, the Digital Humanities can be said to be an independent field and approach to the processing of archaeological data in its own right.

Regardless of which way you lean on the Digital Humanities debate – a set of tools within existing disciplines or a burgeoning, independent field of study of its own – the greater problem has been the dissemination of this information. There simply was no established outlet to publish my data – either in a public or academic setting. Imagine attempting to communicate an idea to another person, but not being able to speak, write, type, or sign. That is to say, the technology used at the cutting edge of research in some fields has outpaced the vehicles needed to publish the results appropriately.

I lamented this in my book, Qumran through (Real) Time, when I stated:

A problem of scribal technology persists. While technology for gathering and processing information has advanced almost exponentially, the accepted means of communicating this new information is stuck in a scribal format that is literally thousands of years old: the written word. Scholars have yet to adopt alternative means by which to receive and redistribute information developed and communicated in three-dimensional format. Far too many scholars are insisting that technologically minded scholars communicate digital information by analog means. Digital journals and online publications are a step in the right direction, but even these new digital publications are made to look like the traditional written pages of journals in many instances, rather than harness and utilize the interactive connectivity and visual capabilities available on the Internet. (Cargill, Robert, Qumran through (Real) Time, (Gorgias, 2009), 69-70.)

Later, I lamented:

This research also realizes the overt incompatibility of publishing a book involving digital reconstructions in three-dimensional space in the traditional paper and ink format. It is, of course, highly ironic that this three-dimensional research is looked down upon by many, who prefer the time-honored, traditional medium of the printed book, which cannot fully convey the technological approach described within its pages. It is as incomplete as literally trying to describe a picture with a thousand words! (Cargill, Robert, Qumran through (Real) Time, (Gorgias, 2009), 217.)

We are left with problem of trying to convince and perhaps compel an academy that clings to tradition and traditional ways of doing things to adopt modern forms of digital publication. The root of this problem lies in the fundamental incentive and motivation for scholars to publish: profit on the one hand, and tenure and promotion on the other.

In order to alleviate the academy’s resistance to adopting digital forms of online publication, we must target the motivation. Few scholars make large sums of money selling academic books. Those who have discovered ways to make money by selling books are facing the reality of a shifting publishing industry.

However, for most scholars, the motivation for publishing articles and books lies not in the income generated by studies of the variant forms of Aramaic verbs in Targums, but in the potential for promotion and tenure at our universities. Unfortunately, many tenure-granting universities still only acknowledge print-published volumes as “legitimate” when considering tenure and promotion, thumbing their noses at “digital” or “online” publications, which causes many scholars considering publishing online in digital formats to resist and instead publish their work in traditional paper and ink peer-review journals. Academic prestige still lies in the print-published textbook, not in digital, online course, and therefore, young scholars – those who are most likely to adopt new technological approaches and methodologies – opt for the status quo and publish their work in traditional journals, thereby thwarting progress and innovation in exchange for the safety and acceptance of an academy, which is only now beginning to experience the manifestation of its failure to adapt to and embrace the advance of online and digital forms of publication.

Let us look at what has happened to different forms of publishing.

• Dot coms obviously were empowered by and embraced digital publishing and communication and have thrived.
• Brick-and-mortar businesses panicked when they first saw that Internet start-ups were quickly eating into their business. They solved this dilemma by buying up the Internet start-ups and re-branding them as their own.
• Newspapers did not and perhaps could not adapt to digital means of publication, and many have failed fantastically in record numbers. Those news outlets who have made the transition to online print may have survived, but not before yielding their market position at the top to upstart news outlets, integrated blogs, and news aggregators like the Drudge Report, Huffington Post, and the Daily Beast, which by the way just this week announced it had merged with Newsweek (remember them) and will be the online face of the venerable Newsweek, which only earlier this year was purchased for one dollar.
• Book publishers saw the writing on the wall and are only now embracing e-books. As evidence, I’ll point you to this statistic: this year marked the first year that Amazon.com sold more e-books than it did printed books. If this stat is shocking to you, you probably work for a university. The world has transitioned to e-books, online journals, and handheld devices.

Dr. Jim West debunks the myth that scholars "curl up by the fire with their leather bound books." Here, Dr. West curls up on the couch in his Snuggie and laptop.

This leaves the academy, which is only now beginning to seriously ask the question: “what’s happening?” As scholars, we cling to our books, and recite the now classic line that “I can’t curl up next to the fire with a laptop like I can a book.” And despite the romanticism of fireplaces and leather-bound books filling libraries smelling of rich mahogany (thank you Will Ferrell), the fact is that we scholars now get the bulk of our news online, do our research on JSTOR, digital libraries, Google, and even the ever-improving Wikipedia, we write in Microsoft Word, teach with PowerPoint or Keynote or Prezi, we email one another without end, and have not only have joined and created academic networks on Facebook, but have adopted our own scholarly version of Facebook complete with an integrated content management system called Academia.edu. The fact of the matter is, scholars do not do their research, teach their classes, or talk to colleagues curled up next to the fireplace. We do it in our beds with our laptops, online like everyone else.

The world has gone online. It did so ten years ago, and the academy is quickly being left behind. In fact, we are so far behind, we are quickly being replaced by online universities, who have embraced and been empowered by online publication. And while we mock online universities, they are raking in record profits and expanding their course offerings, while traditional brick-and-mortar universities are standing idly by watching their funding being cut, their endowments shrink, their lecturers laid off, their scholarships trimmed, and their tenure-track positions not being re-opened as the last generation retires.

The academy must embrace online publication before it goes the way of the Library of Alexandria – a noble memory about which proud legends are told, but that no longer exists!

Thus, the challenge is to convince tenure-granting committees to accept digital forms of publication as not only legitimate forms of academic publication, but to accept it as the preferred vehicle for publication – one that not only publishes the results of research thereby creating knowledge, but effectively markets this knowledge by disseminating it in a manner that can compete with rival forms of lesser-informed knowledge being peddled to students and the public by various political, religious, and business entities.

It is to the university’s advantage to publish in a form that best disseminates new ideas and research, while preserving a university’s most important asset: its brand, which is the symbol of a university’s credibility.

There has been a paradigm shift in the management of knowledge. In the past, the credibility of an institution, be it a university, temple, or secret society, resided in how one hoarded and preserved sacred knowledge. However, modern repositories of knowledge like Google and Wikipedia are evidence that this paradigm has shifted. Today, knowledge management credibility lies with the institution that gives the most information away for free. Today, while we still may brag about how many $140 Brill volumes we have in our libraries, the truth is we more often tell one another about the latest place online to get tons of new, credible information for free.

The paradigm has shifted from one of hoarding knowledge to one that freely disseminates knowledge. As such, the number of scholars using blogs, message boards, wikis, and social networking are increasing exponentially. And as a greater number of scholars publish online, the credibility of online publishing is raised. Likewise, scholars are slowly realizing that it is better for their scholarship to publish their research online where it is available for free or at very low cost, than it is to limit the visibility of their research to $140 volumes that only libraries purchase. Publishing online and marketing one’s research with meta-tags and keywords that push this research to search engines puts the research in front of the eyes of other scholars and the public, spreading the ideas widely, and therefore maximizing the chance that a scholar’s new idea is adopted as a consensus view. This is the new paradigm of the creation, preservation, and dissemination of knowledge, and it is only made possible by the efficiency and speed of socially networked online publication.

In my book, Qumran through (Real) Time, I offered a challenge to universities:

The present research calls on scholars, publishers, dissertation committees, and departments of archaeology, architecture, and other related programs to make themselves more accommodating to newer digital forms of publication. As the word processor has replaced the typewriter, so too will digital and three-dimensional formats soon replace analog and two-dimensional formats for publishing archaeological materials. These new digital formats should not be seen as “alternative” or lesser means of publication, but as “progressive” media that are on the cutting edge of modern archaeological research. (Cargill, Robert, Qumran through (Real) Time, (Gorgias, 2009), 217-18.)

If we can convince tenure-granting committees of the benefits of online publishing, the profit motive or benefit will have been altered in such a way to incentivize digital publishing, which will in turn market and promote the research of scholars who publish digitally.

Now that we’ve identified the problem, allow me to offer three solutions to the question: how do we go from traditional, ink-on-paper volumes that tenure-granting committees love, but few people outside of professional conferences read, to online, digital publications that a) preserve the brand and credibility of the institution, the scholar, and the data; b) enhances the published research by disseminating results in such a manner that simply could not have been offered in traditional ink-and-paper printed volumes; and c) promotes that research online so it can compete with the information peddled by religious hucksters, alien enthusiasts, and the RNC (or DNC – either way, they’re both totally depraved)?

You have heard many other ideas about blogging here today. The three solutions I propose now directly address publishers, authors, and instructors.

The first solution addresses publishers. Quite frankly, we need more online journals, better online journals, and authors need to publish for them. There are many journals that have online presences like the Journal of Biblical Literature or the Journal of Semitic Studies, but one must pay or even join these organizations in order to read their online versions of these journals. However, online journals like the Journal of Hebrew Scriptures and Bible and Interpretation solicit credible, scholarly research and make it available directly to all audiences – scholars and the public alike – for free. I would like to suggest that online journals (who may or may not also publish printed versions) who make their content available for free will not only experience a wider readership, and thus experience greater exposure for the ideas of scholars publishing in them, but will gain a reputation as the source of new, credible ideas, and because of this will gain a loyal readership and may, if they have one, experience increased membership because people like to be affiliated with successful, credible organizations like the SBL. In this sense, the free dissemination of information drives a journal’s or an organization’s credibility.

In addition to requiring a dedicated editor to publish these journals, the problem with publishing online journals is soliciting quality material from credible scholars to publish with them. Therefore my second solution addresses authors.

"The Dynamics of Change in the Computer Imaging of the Dead Sea Scrolls and other Ancient Inscriptions" by Dr. Bruce Zuckerman, USC.

When appropriate, authors need to publish data digitally using media that best convey the results of their research. This is especially true for those of us in the Digital Humanities doing digital research that can only be done with the rise of computers, virtual reality, and the internet. One excellent recent example of this is a paper published by my friend and colleague at USC, Dr. Bruce Zuckerman, entitled “The Dynamics of Change in the Computer Imaging of the Dead Sea Scrolls and other Ancient Inscriptions,” available at the West Semitic Research Project’s Inscriptifact website. This paper, seen here, is a perfect example of a digital hybrid article.

Note how Dr. Zuckerman, with the help of USC’s Institute of Multimedia Literacy, created and article that preserves the look and feel of a traditional print media academic journal complete with page numbers, thereby doing nothing to undermine the credibility that is conveyed by the appearance of the traditional format. However, Dr. Zuckerman has embedded within the article digital media, including video animations that convey digital research and information that a traditional ink-and paper journal simply cannot. By publishing in this fashion, Dr. Zuckerman offers a transitional solution, which allays the fears of traditional scholars and publishers by preserving their format, but also harnesses the new technological advances available to scholarship. This form of publication will serve as a bridge or even perhaps the very vehicle transporting scholars from traditional forms of publication to the online world of digital publication.

My third solution addresses online instruction. It is now possible given technologies like iTunes U, to capture university lectures, assessments, and reading and resource materials in a digital format. Capturing these courses digitally via video lectures and free content management systems like Moodle, allows the technology sits atop the course, capturing it in such in a manner that it can be taught in person or online. By designing courses in this way, the same course can be taught by the same instructor to a room full of 100 students, or online to 10,000 students. This eliminates the apprehension exhibited by many tenured professors who worry that if online and distance education infiltrates brick-and mortar universities, they will have their jobs outsourced to online adjuncts or worse yet, to online, for-profit universities. Designing and capturing courses digitally, with an eye toward the hybrid or blended instruction, allows existing, experienced professors to become the distance learning instructors. By allowing the technology to capture existing university courses, the Digital Humanities can play a role in reclaiming undergraduate instruction from the for-profit universities and perhaps even eradicate them by offering better courses both in person and online.

I should also add that I believe the future of textbook publication is the future of online course management systems. The two will become integrated to such an extent, that the digital textbook will include online animations, hyperlinks to all key words and definitions, and assessments designed to test the reader’s comprehension of the material. The course management system, be it Blackboard, Sakai, or Moodle, will be the textbook. Students could pay to license the book, or will get the book as a part of the course tuition (creating a new pricing model for textbooks). In this manner, scholars and publishers can work together to embrace the changes on publishing, and write digital textbooks for courses that are inextricable from each other guaranteeing the integrity of the course content, and ensuring the jobs of the existing university faculty who agree to teach online.

If we can embrace this understanding of the Digital Humanities, and can convince university instructors – and specifically tenure-granting committees – to embrace digital publication as legitimate, then universities can establish the appropriate incentives needed to make online publication credible, and thereby save traditional universities from threats posed by cheaper, for-profit online solutions. The Digital Humanities will be less understood as a threat to existing disciplines within the Humanities and their scholars, and will be embraced more as a new tool in the ever-progressing evolution of Humanities instruction, if not a discipline in its own right.

Thank you.



Lawrence Schiffman, Robert Cargill Interviewed Live on Israel National Radio’s LandMinds Program

I was interviewed live this morning on Arutz Sheva’s Israel National Radio on the LandMinds program with Barnea (Selavan) and David (Willner). Jim Long sat in for Barnea, who was away. NYU’s Dr. Lawrence Schiffman was interviewed in the first hour (mp3: part 1, part 2), and I was interviewed in the second hour (mp3: part 1, part 2).

Professor Schiffman answered questions about Qumran and the Dead Sea Scrolls for the first hour and provided some wonderful insights and background to the study of the scrolls. In the first part of the second hour, I answered questions about Qumran and offered my opinions about the establishment of the site, its residents, who wrote the Dead Sea Scrolls, and the role of virtual reality modeling in archaeology. In the second half hour, I answered questions about the history of archaeology, the role of scholars in public education, technology’s role in archaeological education, the importance of debunking pseudoscience and sensationalist claims, how to teach critical biblical studies without abandoning the faith and/or alienating people of faith, issues of biblical historicity and mythology, and finally answered the story about how I came to be Nicole Kidman’s private tutor.

Many thanx to David Willner and Jim Long for a wonderful interview. Don’t forget to add the LandMinds Facebook page.

LandMinds broadcasts live at www.israelnationalradio.com every Wednesday from 5-7pm Israel time, 3-5pm in the UK, and 10-12am EST. Shows are rebroadcast, and archived on the A7 and Foundation Stone websites for your convenience. Podcasts are also available on iTunes.

ucla experiential technologies center unveils qumran visualization portal page

Dr. Robert R. Cargill in Qumran Interview Video for the UCLA ETC

the ucla experiential technologies center has produced a new website for its virtual modeling research projects. among the digital reconstruction projects are the egyptian site of karnak,  santiago de compostela, and of course everyone’s favorite, qumran, the site associated with the discovery of the dead sea scrolls. each site comes complete with a description of the project, the principal modelers and research team, and a short movie introducing the research project.

for more information regarding the etc,including a complete listing of the research technologies available to researchers, visit http://www.etc.ucla.edu.

owen jarus interviews dr. robert cargill on virtual qumran

A Reconstructed Locus 30 "Scriptorium" at Qumran

journalist owen jarus interviewed me a few weeks ago and has posted his interview entitled “exclusive interview: dr. robert cargill on virtual reality qumran” on the heritage-key.com website. mr. jarus did perhaps the best job i’ve seen at relaying the technological theory behind the digital archaeological reconstruction process. i also appreciated his professional tone, moderation, and fairness, which is especially welcome in academic issues surrounding qumran archaeology.

for those of you who are interested, yuval peleg (iaa), who was mentioned in the interview, will be a respondent on a panel reviewing my new book, qumran through (real) time: a virtual reconstruction of qumran and the dead sea scrolls, at this year’s november sbl in new orleans. other respondents will be dr. jodi magness (unc), dr. larry schiffman (nyu), dr. eric cline (gwu), and dr. bob mullins (apu). come and watch what is sure to be some ‘cordial, professional difference of opinion’ ;-).

The “Qumran Digital Model” Article in Near Eastern Archaeology Has Finally Arrived

Near Eastern Archaeology Vol. 72, No. 1

my latest article entitled ‘the qumran digital model‘ has been published in the most recent volume (72/1) of in near eastern archaeology. it appears in the ‘forum’ section and is followed by a response by dr. jodi magness, my response to her response, and her response to my response (hence the name ‘forum’ ;- ). in the article, i summarize the problem of the archaeology of qumran and provide a solution to it, which draws from the digital humanities and the use of virtual reality to digitally reconstruct qumran, the site associated with the discovery of the dead sea scrolls. i offer my thanks to dr. magness and to dr. ann killebrew, editor of nea, for her patience and for the opportunity to publish in nea.

for those looking for the expanded version of this research, pick up my book qumran through (real) time: a virtual reconstruction of qumran and the dead sea scrolls, available from gorgias press. (it is also available from amazon and in paperback from gorgias press.)

Free Image and Movie Downloads at Virtual Qumran

Locus 77 Dining Room at Qumran

i have made available for download several images and video clips of the reconstructed khirbet qumran on the www.virtualqumran.com website. you are welcome to download the images for use in your classroom powerpoints and your website. please site dr. robert r. cargill/ virtualqumran.com if you plan on reposting.

The Qumran Digital Model: SBL Joint Session Book Review

Nov 21-24, 2009. Dr. Cargill will be a respondent in a joint session panel that will review his new book, “The Qumran Digital Model: An Argument for Archaeological Reconstruction in Virtual Reality” (Gorgias Press, 2009) at the 2009 Society of Biblical Literature Annual Meeting. The panel will discuss the author’s conclusion that Qumran was originally established as a Hasmonean fortress that was reoccupied by a sectarian Jewish group, as well as Dr. Cargill’s methodology for using virtual reality and other technologies to aid archaeology. Dr. Robert Mullins (APU) will moderate the joint session. Panelists include Dr. Jodi Magness (UNC), Yuval Peleg (IAA), Dr. Lawrence Schiffman (NYU), and Dr. Eric Cline (GWU). Dr. Robert Cargill (UCLA) will offer a response, and the presentations will be followed by a question and answer period.

i officially have my first isbn number

here is the word from my publisher, gorgias press:

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1/7/2009 A New Series from Gorgias
The Bible in Technology (BIT) is a series that explores the intersection between biblical studies and computer technology. It also includes studies that address the application of computer technology to cognate fields of ancient history. The series provides a forum for presenting and discussing advancements in this area, such as new software or techniques for analyzing biblical materials, online projects, and teaching resources. The series also seeks to reflect on the contribution and impact of computer technology on biblical research and teaching methods.

Information Technology and Egyptology in 2008 by Nigel Strudwick
Publication of the proceedings of the 2008 meeting of the Computer Working Group of the International Association of Egyptologists (Informatique et Egyptologie), including papers on databases, complex systems, 3D modelling, textual analysis systems, the uses of the internet for sharing photographs, and bibliography.
ISBN 978-1-60724-068-6, Hardback, $106

Also in the pipeline: Qumran through (Real) Time: A Virtual Reconstruction of Qumran and the Dead Sea Scrolls By Robert Raymond Cargill
This book proposes a new occupation model for the remains of Khirbet Qumran, the site associated with the discovery of the Dead Sea Scrolls. Using the latest in virtual reality technology, the author reconstructs the site of Qumran and demonstrates that the site was initially built as a Hasmonean fortress, and was later expanded into a residence for a self-sufficient community responsible for the Dead Sea Scrolls.
ISBN 978-1-60724-058-7, Hardback

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so apparently i have an isbn number. i guess that makes it official. the book is an expanded revision of my 2008 doctoral dissertation. i had better get to revising. :-)